Monday, October 22, 2012

SAHE TH -MAHE TH SRAVASTI JAIN TEMPLE RUINED SARNATH BUDHISM CASTROPHE

SaheTh-MaheTh (Uttar Pradesh)
“The ruined Jain temple situated in the western portion of MaheTh… derives the name ‘Sobhnãth’ from Sambhavanãtha, the third TîrthaMkara, who is believed to have been born at Šrãvastî…8
“Let us now turn our attention to the western-most part of Sobhnãth ruins. It is crowned by a domed edifice, apparently a Muslim tomb of the Pathãn period…9
“These remains are raised on a platform, 30’ square, built mostly of broken bricks including carved ones… This platform, no doubt, represents the plinth of the last Jain temple which was destroyed by the Muhammadan conquerors… It will be seen from the plan that the enclosure of the tomb overlaps this square platform. The tomb proper stands on a mass of debris which is probably the remains of the ruined shrine…10
“3. Sculpture… of buff standstone, partly destroyed, representing a TîrthaMkara seated cross-legged in the attitude of meditation on a throne supported by two lions couchant, placed on both sides of a wheel…
“4. Sculpture… of buff sandstone, partly defaced, representing a TîrthaMkara seated cross-legged (as above)…
“8. Sculpture… of buff sandstone, defaced, representing a TîrthaMkara standing between two miniature figures of which that to his right is seated.
“9. Sculpture… of buff standstone, defaced, representing a TîrthaMkara, standing under a parasol…
“12.  Sculpture… of buff standstone, much defaced, representing a male and a female figure seated side by side under a palm tree.
“13.  Sculpture… of buff standstone, broken in four pieces, and carved with five figurines of TîrthaMkaras… seated cross-legged in the attitude of meditation.  The central figure has a Nãga hood. The sculpture evidently was the top portion of a large image slab.”11
Coming to the ruins of a Buddhist monastery in the same complex, the archaeologist proceeds:
“In the 23rd cell, which I identify with the store-room, I found half-buried in the floor a big earthen jar… This must have been used for storage of corn…
“This cell is connected with a find which is certainly the most notable discovery of the season. I refer to an inscribed copper-plate of Govindachandra of Kanauj… The charter was issued from Vãrãnasî on Monday, the full moon day of ÃshãDha Sam. 1186, which… corresponds to the 23rd of June, 1130. The inscription records the grant of six villages to the ‘Community of Buddhist friars of whom Buddhabhattãraka is the chief and foremost, residing in the great convent of the holy Jetavana,’ and is of a paramount importance, in as much as it conclusively settles the identification of MaheTh with the city of Šrãvastî…”12
He describes as follows some of the sculptures unearthed at SrAvastI:
“S.1. Statuette in grey stone… of Buddha seated cross-legged in the teaching attitude on a conventional lotus.  The head, breast and fore-arms as well as the sides of the sculpture are broken.
“S.2. Lower portion… of a blue schist image of Avalokitešvara in the sportive attitude (lîlãsana) on a lotus seat.
“S. 3. Image… of Avalokitešvara seated in ardhaparyanka attitude on a conventional lotus… The head and left arms of the main figure are missing.”13
Sarnath (Uttar Pradesh)
The report of excavations undertaken in 1904-05 says that “the inscriptions found there extending to the twelfth century A.D. show that the connection of Sarnath with Buddhism was still remembered at that date.” It continues that “the condition of the excavated ruins leaves little doubt that a violent catastrophe accompanied by willful destruction and plunder overtook the place.”14 Read this report with the Muslim account that Muhammad GhurI destroyed a thousand idol-temples when he reached Varanasi after defeating Mahãrãjã Jayachandra of Kanauj in 1193 A.D. The fragments that are listed below speak for themselves. The number given in each case is the one adopted in the report of the excavation.
a 42. Upper part of sculptured slab…
E.8. Architectural fragment, with Buddha (?) seated cross-legged on lotus…
a.22. Defaced standing Buddha, hands missing.
a.17. Buddha head with halo.
a. 8. Head and right arm of image.
E.22. Upper part of image.
E.14. Broken seated figure holding object in left hand.
a.11. Fragment of larger sculpture; bust, part of head, and right overarm of female chauri-bearer.
E.25. Upper part of female figure with big ear-ring.
E.6. Fragment of sculpture, from top of throne (?) on left side.
n.19. Seated figure of Buddha in bhûmisparšamudrã, much defaced.
n.221. Torso, with arms of Buddha in dharmachakramudrã.
n.91. Lower part of Buddha seated cross-legged on throne. Defaced.
n.142. Figure of Avalokitešvara in relief. Legs from knees downwards wanting.
n.1.  Relief partly, defaced and upper part missing. Buddha descending from the TrãyastriMšã Heaven Head and left hand missing.
i.50. Lower half of statue. Buddha in bhûmisparšamudrã seated on lotus.
i.17. Buddha in attitude of meditation on lotus. Head missing.
i.46. Head of Buddha with short curls.
i.44. Head of Avalokitešvara, with Amitãbha Buddha in headdress.
n.10. Fragment of three-headed figure (? Mãrîchî) of green stone.
i.49. Standing figure of attendant from upper right of image. Half of face, feet and left hand missing.
i.1. Torso of male figure, ornamented.
i.4. Female figure, with lavishly ornamented head. The legs from knees, right arm and left forearm are missing. Much defaced.
i.105. Hand holding Lotus.
n.172. Torso of Buddha.
n.18. Head of Buddha, slightly defaced.
n.16. Female figure, feet missing.
n.97. Lower part of female figure. Feet missing.
n.163. Buddha, seated.  Much defaced.
K.4. Fragment of seated Buddha in blue Gayã stone.
K.5. Fragment of large statue, showing small Buddha seated in bhûmisparšamudrã
K.18. Fragment of statue in best Gupta style.
J.S.18. 27 and 28.  Three Buddha heads of Gupta style.
J.S.7. Figure of Kubera in niche, with halo behind head.  Partly defaced.
r.67. Upper part of male figure, lavishly adorned.
r.72.  a and b. Pieces of pedestal with three Buddhas in dhyãnamudrã.
r.28. Part of arm, adorned with armlet and inscription in characters of 10th century, containing Buddhist creed.
B.22. Fragment of Bodhi scene (?); two women standing on conventional rock. Head and right arm of left hand figure broken.
B.33. Defaced sitting Buddha in dhyãnamudrã.
B.75. Lower part of Buddha in bhûmisparšamudrã seated cross-legged on lotus.
B.40. Feet of Buddha sitting cross-legged on lotus on throne.
B.38. Headless defaced Buddha seated cross-legged on lotus in dharmachakramudrã.
Y.24. Headless Buddha stated cross-legged on throne in dharmachakramudrã.
B.52. Bust of Buddha in dharmachakramudrã.  Head missing.
B.16. Standing Buddha in varadamudrã; hands and feet broken.
Y.34. Upper part of Buddha in varadamudrã.
B.24. Bust of standing Buddha in abhayamudrã; left hand and head missing.
B.31. Defaced standing Buddha in abhayamudrã. Head and feet missing.
B.48. Feet of standing Buddha with red paint.
B.15. Lower part of AvalokiteSvara seated on lotus in lîlãsana.
Y.23. Bust of figure seated in lîlãsana with trace of halo.
B.59. Legs of figure sitting cross-legged on lotus.
B.7. Female bust with ornaments and high headdress. Left arm and right forearm missing.15

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